16 816 безплатни аудиофайлове за "Midi Files By Peter Gerloff"

Robert Schumann: Kreisleriana, Op. 16.

Beginning of Robert Schumann's Song "Zwielicht" (from Liederkreis op. 39)

Actual score to accompany an analysis by Czerny (simplified) of the first measures of Chopin Study op. 10 n. 1.

Nederlands: Midifile van het rondo in Es-dur, H.288, van C.P.E. Bach. MIDI version of Rondo in E-flat major, H.288, by C.P.E. Bach. MIDI Aufnahme, Rondo in Es-dur, H.288, von C.P.E. Bach.

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Fantasiestücke, Op. 12, Nr. 8, "Ende vom Lied", by Robert Schumann (17 KB, 4:01 minutes)

Fantasiestücke, Op. 12, Nr. 7, "Traumes Wirren", by Robert Schumann (16 KB, 2:43 minutes)

MIDI-Datei auf Grundlage der Regel 110 eines eindimensionalen zellulären Automaten. Erstellt mit Visions of Chaos.

Bach - Gigue from English Suite no. 1 in A Major, BWV 806, m. 38 MIDI

Schubert - D. 759, I mm.60-4, without G.P.

Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 88

Fantasiestücke, Op. 12, Nr. 6, "Fabel", by Robert Schumann (15 KB, 2:13 minutes)

MIDI-Datei auf Grundlage der Regel 110 eines eindimensionalen zellulären Automaten. Erstellt mit Visions of Chaos.

Motivic repetition in Beethoven's (1770–1827) Sonata in F major, op. 10, no. 2.

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

MIDI-Datei auf Grundlage der Regel 110 eines eindimensionalen zellulären Automaten. Erstellt mit Visions of Chaos.

Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 116

Leck mich im Arsch

Schubert - D. 759, I mm.60-4, with G.P.

Nocturne in D-flat Major, Op. 27, No. 2

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

Fantasiestücke, Op. 12, Nr. 1, "Des Abends", by Robert Schumann (8 KB, 3:23 minutes)

Fantasiestücke, Op. 12, Nr. 4, "Grillen", by Robert Schumann (18 KB, 3:47 minutes)

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.

Period (two phrases) from Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement.

A few bars from "Erstarrung" and "Der Lindenbaum" from Franz Schuberts songcycle "Die Winterreise"

Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 100

Fantasiestücke, Op. 12, Nr. 3, "Warum?", by Robert Schumann (4 KB, 1:37 minutes)

Fantasiestücke, Op. 12, Nr. 2, "Aufschwung" by Robert Schumann (16 KB, 3:29 minutes)

Fantasiestücke, Op. 12, Nr. 5, "In der Nacht", by Robert Schumann (21 KB, 4:25 minutes)

Symphony No. 9, Movement 3, Op. 125

Symphony No. 9, movement 1, Op. 125

Symphony No. 9, Movement 2, Op. 125

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Combinatorial tone rows from Moses und Aron by Arnold Schoenberg pairing complementary hexachords from P-0/I-3.

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

Es ist genug, Schlusschoral der Kantate O Ewigkeit, du Donnerwort BWV 60; Melodie: Johann Rudolf Ahle

Peter Dawson singing "Down Among the Dead Men" - 1909 Other information catalog entry: http://trove.nla.gov.au/work/35170144?selectedversion=NBD43796292

R. Wagner's Tristan Opening. 7-limit 53EDO Approximation.

First bars from Ludwig van Beethoven's Piano Sonata No. 31, Op. 110, third movement

Ausschnitte aus Beethovens Klaviersonate Nr. 31, op. 110, Dritter Satz Excerpts from the third movement of Ludwig van Beethoven's Piano Sonata No. 31, Op. 110

Ausschnit aus Beethovens Klaviersonate c-Moll, op. 10/1

From Die Zauberflöte, K.620 Wenn Tugend und Gerechtigkeit ... "When virtue and justice spread the path of the great with fame.." These pages contain some of my MIDI sequences of classical music in general midi (GM) format, linked so that you can download or play them by clicking on the links. The sequences are intended to be heard on a computer sound card, and do not include system exclusive messages or controllers other than volume, pan, reverb and chorus. They are all in the public domain. That is, they are no-one's intellectual property: they may be freely copied, adapted, tinkered with and, I hope, surpassed by others.

Schubert, String Quintet in C, final bars.

Dominant seventh in Beethoven's Fifth Symphony, last movement.

Johann Sebastian Bach. BWV 269. Aus meines Herzens Grunde (Chorale 1)

Example of harmonic minor from the opening theme to Schumann's First Symphony (probably 1832/33 Zwickau, WoO 29).

Chorale prelude BWV 686 Auf tiefer Noth schrei' ich zu dir from Clavier-Übung III, encoded in lilypond and converted into a midi file

Mozart's Excerpt K331. Created by Hyacinth (talk) 23:06, 5 November 2011 (UTC) using Sibelius 5. See: File:MozartExcerptK331.png